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He is a hack as a writer and director who didn't even care enough about Bobby Kennedy to get the story right.What's the matter, Emilio, the actual five people (including RFK's friend Paul Schrade who was shot in the forehead directly behind Bobby) weren't interesting enough characters for you to base your story on?However, leave it up to Mike Leigh to try and correct this trend.In 1996, he wrote and directed the wonderful Secrets & Lies, and his writing for the women leads was so strong, that the Academy awarded nominations for both Best Actress (Brenda Blethyn) and Supporting Actress (Marianne Jean-Baptiste).Or a kid who wanted to avoid the Viet Nam war by getting married to a school friend to get a fake marriage certificate?Or a honorable Kitchen Manager who was kind to illegal immigrant Latino's who was fired that very day by his boss who was cheating on his marriage with former Austin Powers hotie Heather Graham?This is due more to Hollywood's reluctance to create interesting and powerful roles for the female elite than the actresses' ability themselves.
Your fiction makes Oliver Stone's conspiracy theory-based JFK look like a Pulitzer Prize winning documentary.
who Emilio calls "Jose'." Shame on Emilio Estevez and Martin Sheen and the ultra-liberal Hollywood elite who helped bring this work of leftist propaganda to the big screen masqueraded as a true story of the events at the Ambassador Hotel on June 4, 1968. I can't even watch a true documentary about Bobby Kennedy without shedding tears but your film (except for the actual clips of RFK) disgusted me.
In a poor working class London home Penny's love for her partner, taxi-driver Phil, has run dry, but when an unexpected tragedy occurs, they and their local community are brought together, and they rediscover their love.
Or were you just too lazy to research their real lives.
So you just made up people to get shot including pretend characters: two Kennedy college volunteers who dropped LSD for the first time that day?
Gee, Emilio, what terrific characters (yeah, right.) It's beautifully filmed and edited, but this entire film is a big lie designed to promote Emilio's political agenda to a) Get out of Iraq, and b) to promote amnesty for oppressed Latino illegal immigrants.